Small but Sophisticated
These new MG mixers are lighter and smaller than ever while offering some innovative new features.
The MG102C and MG82CX are ideal mixers for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. Both models are remarkably compact and lightweight, but no compromises have been made in sound quality. They even have built-in channel compressors that, although easy to operate, can significantly enhance the quality of your mixes. An optional adaptor allows these mixers to be mounted on a microphone stand for easy access and convenient positioning on stage. The MG82CX additionally features top-quality SPX digital effects built in, so you won't need any extra equipment for many applications.
INPUT SECTION
Flexible 8 or 10 Input Channel Configurations
The MG82CX has a total of 8 input channels comprised of two mono microphone/line channels and three stereo line channels. The MG102C has an addition stereo channel for a total of 10 input channels. On both models two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.
Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality Neutrik balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channel on the MG82CX and the remaining two stereo channels on the MG102C provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.
Four High-performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.
Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the MG82CX and MG102C you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.
3-band Channel EQ and High-pass Filter
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channel 7/8 on the MG82CX and channels 7/8 and 9/10 have 2-band EQ for smooth equalization of stereo sources.
MASTER SECTION
Effect/Aux Sends
The MG82CX has EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack. The MG102C has AUX send controls on all channels in place of the MG82CX EFFECT send controls, and these adjust the level of the signal sent from the corresponding channel to the AUX SEND jack that can be used to feed external effects or a monitor system. A RETURN control in the master section of both models adjusts the level of the signal returned from external processors via the RETURN jacks.
Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications.
Bright Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.
CONVENIENCE AND OPERABILITY
Lightweight, Portable Design
The MG82CX and MG102C weigh only 1.6 and 1.5 kilograms, respectively. That's small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you'll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.
MG82CX Built-in SPX Effects
There's an astonishing amount of SPX signal processing power packed into the MG82CX's diminutive chassis. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.
|
No |
Program |
Parameter |
|
1 |
REVERB HALL 1 |
REVERB TIME |
|
2 |
REVERB HALL 2 |
REVERB TIME |
|
3 |
REVERB ROOM 1 |
REVERB TIME |
|
4 |
REVERB ROOM 2 |
REVERB TIME |
|
5 |
REVERB STAGE 1 |
REVERB TIME |
|
6 |
REVERB STAGE2 |
REVERB TIME |
|
7 |
REVERB PLATE |
REVERB TIME |
|
8 |
DRUM AMBIENCE |
REVERB TIME |
|
9 |
KARAOKE ECHO |
DELAY TIME |
|
10 |
VOCAL ECHO |
DELAY TIME |
|
11 |
CHORUS 1 |
LFO Frequency |
|
12 |
CHORUS 2 |
LFO Frequency |
|
13 |
FLANGER |
LFO Frequency |
|
14 |
PHASER |
LFO Frequency |
|
15 |
AUTO WAH |
LFO Frequency |
|
16 |
DISTORTION |
DRIVE |
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